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Mullican’s practice, surveyed through drawings, collages, video, and installation, confronts the nature of subjective understanding, rationality, perception, and cognition—in essence proposing a ‘picture’ of the world through the medium of drawing.

Using her chosen medium of oil stick on paper, the artist deploys a sparse, tense, and energetic line to make drawings that are at turns comic, perverse, poignant, and brutal.

Henderson works with the radio on, the sounds of talking pundits and news stories filtering through her onto the page where ambiguous scenarios offer playful or possibly sinister interactions.

Zürn began producing paintings and drawings related to her Surrealist-influenced literary work while living in Paris, becoming acquainted with many artists in the Surrealist circle, including André Breton, Max Ernst, Man Ray, and Marcel Duchamp. For over three decades, New York-based artist Matt Mullican (b.

Part whimsical cartoons, part intricate portraits, Zürn’s chimerical fantasies make for drawings that are deeply revelatory yet playfully imaginative. 1951, Santa Monica, CA) has created a complex body of work concerned with systems of knowledge, meaning, language, and signification.

Frederick Kiesler: Co-Realities will trace Kiesler's interest in the expressive and conceptual possibilities of drawing through key projects and concepts from the 1930s to the 1960s, from his early work as a scenic designer to his revolutionary designs for Peggy Guggenheim's Art of the Century Gallery, and his decades long investigation into the unique structure of his Endless House .

As so few of Kiesler's installations, sets, or projects remain or were ever realized, the drawings have become key to understanding his significant contribution to 20th century thought.

While staying within the material bounds of traditional drawing, the works expand our understanding of how drawing acts as a descriptive system and means of interpretation.

An exhibition of drawing-based works by the late American artist Ree Morton (1936 –1977), will be on view in the Main Gallery and Drawing Room from September 18 – December 18, 2009. Sun Xun: Shock of Time will present two recent hand-drawn animations by Hangzhou-based artist, Sun Xun (b. Shown together for the first time, Shock of Time (2006) and Lie of the Magician (2005) combine traditional drawing materials and printmaking techniques with digital media.

Iannis Xenakis: Composer, Architect, Visionary is co-curated by Xenakis scholar Sharon Kanach and critic Carey Lovelace and will travel to the Canadian Centre for Architecture (June 17 – October 17, 2010) and the Museum of Contemporary Art, Los Angeles (November 7, 2010 – February 13, 2011).

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